ムンクやクリムト、浮世絵に見られる構図間、そして画面全体がすっきりと明瞭で、柔らかくも空間が掴めやすい、高橋常政のもつ心象風景なのか、はたまた長い美術への研究の成果なのか、隅々まで手の入ったこの絵のシリーズはとても見ていて心地がいいのではないでしょうか。

風景画を見ていても、横並びの構図や、大きな前景、色面的に見える空間作りなど面白い構図を取り入れているが、本当にその場所を歩いているかのようなリアリティーを持っています。細かく色が散りばめられている様子などもとても軽やかで心地の良いものです。自分の住んでいる場所や見ているものを描きつつも、そこに別のイメージを乗せることは、作家が常に絵や作品について考えている証拠だと思います。

The compositional spacing is reminiscent of Munch, Klimt, and Ukiyoe, and the entire picture is clean and clear, soft yet easy to grasp the space. Whether it is the mental landscape of Tsunemasa Takahashi or the result of his long study of art, this series of paintings, which are well-crafted in every corner, is very comfortable to see.

Even when looking at the landscapes, they incorporate interesting compositions such as side-by-side compositions, large foregrounds, and the creation of spaces that look like color planes, but with a reality that makes you feel as if you are really walking in that place. The detailed scattering of colors and other details are also very light and comfortable. The fact that the artist depicts the place where he lives and the things he sees, but puts another image on top of it, is evidence that he is always thinking about his paintings and his works.

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